Mo Wave and Chop Suey Present
CHRISTEENE
CHRISTEENE is a sexually infused sewer of live rap and vile shamelessness, capable of adapting amazingly well to all styles of music.
Attempts at gathering personal information on CHRISTEENE concerning age, origin, race, religion and even gender have proven fruitless, leaving the public to rely primarily on a highly stylized collection of music videos released through the singer’s collaborative efforts with award winning filmmaker and cinematographer...
Mo Wave and Chop Suey Present
CHRISTEENE
CHRISTEENE is a sexually infused sewer of live rap and vile shamelessness, capable of adapting amazingly well to all styles of music.
Attempts at gathering personal information on CHRISTEENE concerning age, origin, race, religion and even gender have proven fruitless, leaving the public to rely primarily on a highly stylized collection of music videos released through the singer’s collaborative efforts with award winning filmmaker and cinematographer, PJ Raval…who remains silent on the subject of their relationship.
It is noted that CHRISTEENE commands a stage presence of furious intensity accompanied by a strict regiment of hardcore dance and destructive choreography. The singer’s impressive sound arsenal showcases a wide range of musical appreciation and mastery ranging from Electro to R&B, Hip Hop to Dub Step, with titles including ‘Fix My Dick’, ‘Tears From My Pussy’, ‘African Mayonnaise’ and ‘Bustin’ Brown’. These songs, written by the artist, offer an intimate and fascinating glimpse into the private and sometimes heartbreaking experiences of this talented nightmare.
Reports from live shows describe scenes involving butt plugs tied to bouquets of balloons being released into the air from CHRISTEENE’s arse, intimate and bizarre confessionals over tea, backup boys in handmade Panda masks urinating on canvas sacks containing the singer, and a DIY anti-fashion wardrobe styled from the forgotten scraps of society. Appearing alongside CHRISTEENE are two sexually distinct Backup Boyz, T-Gravel and C-Baby, along with accompanying DJ/ music producer, JJ Booya, rumored to be the entertainer’s third cousin.
https://www.facebook.com/pages/CHRISTEENE/105573234529
http://christeenemusic.com/
Crypts
Crypts are Steve Snere, Bryce Brown and Nick Bartoletti
The long, slow demise of rock music has endured endless death throes, but the self-titled debut album by Crypts seems to clearly seal its fate while heralding the arrival of something far more vibrant and downright dangerous. The Seattle based dark electronic trio blends thick, hazy drone and synth noise with chopped-up hip hop rhythms, forsaking guitars in favor of more unique and sinister sounds.
Vocalist Steve Snere, former frontman of chaotic punk revisionists These Arms Are Snakes, brings a snarling urgency to the songs, while programmer Bryce Brown blasts out an aural assault of horror show noise, subsonic bass and skittering rhythms. Meanwhile, visual artist Nick Bartoletti creates a total environment of light and video projections for the band's live experience as well as its decidedly nihilistic aesthetic. It's an all-out attack on the senses that comes across as fresh and invigorating as the early days of punk.
"I needed a change of pace, to take myself out of the guitar-based rock world," says vocalist Steve Snere. "And the three of us wanted to experiment to find a sound that we wanted to hear." The result is the intense, occasionally bleak, yet endlessly enthralling debut album. Comparisons range from Wolf Eyes meets Christian Death to Skinny Puppy playing Dizzee Rascal. But these touch points seem to only scratch the surface of the snarling beast within Crypts.
The album was engineered with Erik Blood (Shabazz Palaces), building upon basics recorded by Brown on Pro-Tools to which the band added live instruments. Most of the sounds were generated on home-built and modified equipment. Live, the band uses a homemade sound-reactive video device for its startling visuals. "We play everything live, there's no loops," Brown explains. " It's not a lot of button-pushing. Nick runs visuals live, while also playing synths. It's more like a rock band in a live setting."
Crypts opens with the fittingly titled "Completely Fucked", awash with slithering John Carpenter soundtrack synths oozing over galloping drum machine beats and synthetic handclaps. Nearly buried beneath the din, Snere moans and wails, building to a screaming crescendo like a maniac. And, with a choked growl, the song ends just barely over 2-minutes, launching into the hip-hop beat and almost bubbly-sounding keyboards of "Daft." Elsewhere, the trio lean into The Cure's Pornography-era gloom-pop ("Territories") and dark, anthemic hooks ("Bloods"). Throughout, it's a vastly energetic, albeit downright depraved sounding album thanks to Snere's effectively dramatic and versatile vocals and the band's innovative collision of musical aesthetics.
http://sargenthouse.com/Crypts
http://crypts.bandcamp.com
http://cryptsmusic.tumblr.com
http://twitter.com/crypts
Sashay
Seattle's premier queer-core band.
http://chokeonaburger.bandcamp.com/
https://www.facebook.com/chokeonaburger/
with DJ Mister Sister
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$13 ADV / $15 DOS // 8pm doors // 21+